Carmen Brucic is known for her participative working methods. She works on emotional themes in media such as photography, theater, staging or performative intervention. For major European theaters, she designed and led unique congresses such as “Lovepangs™. Proclamation of the Lovesick Society “ or “Symmetries of Departure”. Her work as a photographer has been shown in Austria, Germany, Slovenia, Switzerland, Belgium, Mexico and the USA. The reason for this publication is her latest photographic examination of an abandoned artist’s apartment and its installative presentation developed in the Museum of Tyrolean Regional Heritage in cooperation with a grammar school from Innsbruck. It is published as the first monograph on the Austrian artist. il
EDITOR
Peter Assmann and Rosanna Dematté, Tiroler Landesmuseen
TEXTS
Peter Assmann, Elia Barceló, Karl C. Berger, Carmen Brucic, Rosanna Dematté, Margret Fessler, Andreas Gamerith, Gerald Helfer, Riccardo Panattoni and pupils of the Bundesgymnasium in der Au, Innsbruck
PHOTOS
Carmen Brucic, Günter R. Wett
DESIGN
Christian Höller